As far as tape emulation goes, the only thing that's missing is the tape hiss! ($450 MSRP Windfeather species of crane, found only on the Timeless Isle, are capable of producing brilliant plumage, and are highly protective of their nests. Other than the naming thing, I think this plug-in rocks. Those names are a little too New Age for me. My only real complaint about Phoenix is that I would have preferred a naming setup that described different tape formulations, tape speeds, bias settings, or levels instead of terms like Gold, Sapphire, Dark Essence, Radiant, etc. The tracks simply sounded empty or rather naked without Phoenix. When playback resumed, my jaw hit the floor in complete disbelief. I played the mix, listened for a bit longer with it on then, hit the key combination that made all of the instances of the plug-in inactive. I decided to turn all of the instances of the plug-in off and listen to the before and after. You could say it sounds like tape.Īs I was mixing away with Phoenix on almost every track, I thought things were sounding pretty good. When you put the plug-in on every track, the build up of its sonic character starts to become familiar. When placed on tracks that were not well recorded, I wasn't feeling the need to EQ and compress as much because I was hearing a sonic quality that was pleasing to my ear. On individual tracks like electric guitar, I noticed it made the track sound more full, punchy, and louder, even though the tracks were already well recorded and sounded good. Phoenix is very DSP efficient, which is good since I fell into the habit of putting it on everything in a mix.

There's an input trim, a big knob that controls the effect amount, and three buttons affecting the color of the effect named Gold, Sapphire, and Opal. All share the same simple interface design. Phoenix is actually a set of five different plug-ins: Luminescent, Iridescent, Radiant, Dark Essence, and Luster. Phoenix requires a Pro Tools TDM system running on MacOS X or Windows XP with iLok authorization. It was that reputation that lured me to their web site to download the demo version.

They are known for making audio gear that is well built and sounds amazing. Now let's begin.ĭave Hill and his crew at Crane Song created the Phoenix plug-in. I also own a Pro Tools HD rig that runs like a fine-tuned machine. I don't think any piece of technology can replace tape.

I'll preface this review with the following, I have a 2'' 16-track at my studio, and I love it. Now here I am reviewing the new Crane Song Phoenix, a TDM plug-in for Pro Tools that simulates the characteristics of analog tape. In the last several weeks while I was writing this review, Quantegy closed its doors for financial restructuring, Studer 24-tracks were listed on eBay for $7000 with Dolby SR, and the tape-using community began a frenzied quest to stockpile what remained of the dwindling tape supply.

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